One of the great things about working whee I work is the vast array of historical buildings ranging in age and purpose scattered over such a relatively small area. Every building has a purpose and function though it may have changed over the centuries.
Though a good chunk of the dockyard has gone (as has Pembroke) enough remains to tell the story and demonstrate evolution of purpose and one of the greatest examples are the covered slips which are often overlooked in preference for the historic vessels.
Throughout the eighteenth century ships were built in the slips which were basins that backed onto the river. Part of the process is “seasoning in frame” where the ships are left to settle and for the wood to basically get used to being together and settle which takes a long time… Once completed they were launched and brought into one of the docks for fitting out and completion. This work went on regardless of weather with men and ships exposed to the elements which often resulted in the Navy getting vessels already suffering from damp and rot.
To quote Midshipman H. H. Williams:
At Portland it blows, at Devonport it rains but that at Chatham it does both

During the Napoleonic War a commission went out to Scandinavia to see how they dealt with the issues and the solution was covered slips.
Chatham has around seven slips and moves were made to cover the first three. Sadly Slip 1 (Covered in 1815) was demolished at the end of the nineteenth Century to make way for the railway lines going down to Anchor Wharf and Slip 2 (covered in 1813) was burnt down in 1966 but Slip 3 still remains.
The Dockyard’s work force was made up of Carpenters and skilled wood workers and the primary material available was wood so they started working with that. Robert Seppings, a Master Shipwright designed the roof and it is basically the upturned hull of a ship.

In the front, in the roof (up a rickety stair) is an office with windows that lookout over the river towards Darnet so they could watch the progress of vessels travelling down from Sheerness. A walk way runs along the roof for the shipwrights to monitor building from aboave and at the far end is an another office where they would work. The large window at the front is where the bowsprit would sit.

Construction of the roof was completed in 1838 and at the time the three slips were the widest timber framed buildings in Europe.

The nature of ship building changed and the ships too large for the covered slips by the 1850s and eventually the dock was filled in (though you can still see the original flagstones) and the buildings used for storage. By the Edwardian period, and wanting to maximise space a mezzanine floor was put in to Slip 3 for the storage of ship’s boats in 1904.
The next to be covered were Slips 4,5 and 6 in 1847-8. By this point, a mere decade after the first three, wood is no longer the first choice building material and cast Iron is now in.

Although the Dockyard had smithery buildings they did lack the knowledge base of building with it so the task fell to the Royal Engineers who are based in nearby Brompton. The roof trusses are designed by them and the structure was built as the oldest cast iron roof structure, pre-dating Paddington Station (1854).

These slips continued to be used well into the twentieth century for construction purposes with modern equipment using orgiinal fittings and structures such as the overhead crane.
Finally we have Slip 7 which was constructed in 1855 and is built using wrought and cast iron frame and is the earliest example of a modern trussed roof. This slip is still operated by a commercial concern for construction and repair work.
The Covered slips are a fantastic example of evolution through the industrial revolution all of them serve the same purpose but you move from master craftsmen working with wood to skilled and some skilled laborers working in iron and steel within thirty years.
Haven’t been to the dockyard in years. Really must get down there.
Yes.
Seasoned oak, and especially heart of oak, is extremely hard and an ideal wood from which a ship to be made. But it is extremely difficult to work. Therefore, as many components of the ship as possible are cut in green oak, labelled, and left to season for three years before being assembled like a Georgian Lego set. [By comparison The Globe theatre, the originals and the reconstruction, were erected as green oak and left to season in place.]
HMS Unicorn (museum ship at Dundee) still has visible carpenter's marks.